Sunday, September 20, 2015

NEW RELEASES 2015 WEEK # 36 SEPTEMBER 11, 2015

SEPTEMBER 11, 2015 (WEEK #36)
1.    ANIMAL COLLECTIVE-“LIVE AT 9:30” (9/4) 
2.    BEIRUT-“NO NO NO” (9/11) (Zach Condon and his band Beirut will release their fourth album No No No on September 11th via 4AD. Coming four years after The Rip Tide, and recorded over a two week period during one of the coldest New York winters - with blizzard after blizzard raging outside - No No No is Condon’s most vibrant and spirited record to date. To coincide with the release of No No No, Beirut will tour throughout North America and Europe this year, including a headline appearance at Radio City Music Hall in New York.)
3.    BLANK REALM-“ILLEGALS IN HEAVEN” (9/11) 
4.    COIL-“BACKWARDS (NEW ORLEANS MIXES)” (9/11) 
5.    COLD BEAT-“INTO THE AIR” (9/11) 
6.    GARY CLARK JR-“THE STORY OF SONNY BOY SLIM” (9/11) 
7.    THE CLIENTELE-“ALONE AND UNREAL: THE BEST OF THE CLIENTELE” (9/4) 
8.    ANA EGGE-“BRIGHT SHADOW” (9/11)
9.    MARY HALVORSON-“MELTFRAME” (9/11) 
10. HELEN-“ORIGINAL FACES” (9/4) (2015 album by the pop group from Oregon. The band is comprised of Liz Harris (vocals/lead guitar), Jed Bindeman (drums/tambourine), Scott Simmons (bass/guitar), and Helen (back-up vocals). Originally started with the intention of being a thrash band, it turned into something else entirely. The Original Faces was recorded over a period of several years in Portland by the band members, their friends Nick, Chris and, largely, Justin Higgins. Written together, some songs based on Liz and Scott's demos.)
11. HOLLYWOOD VAMPIRES-“HOLYWOOD VAMPIRES” [2-CD] (with Alice Cooper, Dennis Dunaway, Perry Farrell, Robby Krieger, Slash, Neal Smith, Joe Walsh, and other “I’m so famous so notice me people”!) (In 1969 the Hollywood Vampires were born in the upstairs bar at the Rainbow Bar & Grill. 'To join the club, one simply had to out drink all of the members,' says Alice Cooper, a founding member of the Vampires. 'I would walk in on a typical night' Alice says, 'and John Lennon, Harry Nilsson, Keith Moon, Bernie Taupin, Jim Morrison and Mickey Dolenz would be there.' Three years ago, Alice and good friend Johnny Depp got together and decided the spirit of the Hollywood Vampires should live again (minus the drinking). The Hollywood Vampires live again with the release of the Hollywood Vampires new album. Alice and Johnny were joined by Joe Perry, who is an old friend of both of them, and the recording began: a tribute to the original Hollywood Vampires.)
12. THE JAM-“ABOUT THE YOUNG IDEA; THE VERY BEST OF THE JAM” [2-CD] (9/11) 
13. TH’ LEGENDARY SHACK SHAKERS-“THE SOUTHERN SURREAL” (9/11) ("The infamous explosive Southern wrecking crew The Legendary Shack Shakers are back with a brand new full-length titled "The Southern Surreal". Features guest appearances from Billy Bob Thornton and Duane Denison (The Jesus Lizard). Their incendiary interpretations of the blues, punk, rock and country are all-at-once irreverent, revisionist, dangerous and fun. Their first release in five years, the album lands on the band’s 20th anniversary!")
14. THE LIBERTINES-“ANTHEMS FOR DOOMED YOUTH” (9/11) 
15. LOW-“ONES AND SIXES” (9/11) (Ones and Sixes is the new album from the Duluth-based trio of Alan Sparhawk, Mimi Parker and Steve Garrington, collectively known as Low. Ones and Sixes was co-produced by Low and BJ Burton at Justin Vernon’s April Base Studios in Eau Claire, WI. “In our 20+ years of writing songs, I’ve learned that no matter how escapist, divergent, or even transcendent the creative process feels, the result is more beholden to what is going on at the moment. It’s hard to admit that one is so influenced by what is in front of us. Doesn’t it come from something magical and far away? No, it comes from here. It comes from now. I’m not going to tell you what this record is about because I have too much respect for that moment when you come to know it for yourself.” — Alan Sparhawk, Low I spent much of 2002 in Germany, studying literature, collecting new experiences and attempting to process the existential crises so typical of your early 20s. Low – especially their album Things We Lost in the Fire, which I listened to for countless hours – was one of the few bands who helped me along with this. Their slow-growing, minimal, yet expansive songs just beg for introspection. Demand it, even. They cultivate a sense of grandeur and inquiry with their melancholic tone, which, if you’re anything like me, sets you right down in front of the mirror for some much-neglected self-assessment. Is Low somehow The Velvet Undergound’s song “I’ll Be Your Mirror” transubstantiated into band form? As Alan said above, the meanings of the songs are transitory. Even if there was a specific impetus, nothing needs explaining beyond what the song itself reveals. It’s an exercise on Low’s end and, when the music is released, it becomes one for us. Ones and Sixes takes everything Low excels at and dips it in a heavy gold plating of industrial-leaning electronics. This catapults to new and extreme heights the innate beauty their music has always had. It’s a series of contrasts: stunning and menacing, gorgeous and frightening, giving and desperate, and, ultimately, unbearably heavy and unbearably light. From one to six and back again. —Dee Dee Penny (Dum Dum Girls), NYC, June 2015)
16. MICACHU AND THE SHAPES-“GOOD SAD HAPPY BAD” (9/11) 
17. PUBLIC IMAGE LTD-“WHAT THE WORLD NEEDS NOW…” (9/4) (Public Image Ltd (PiL) release their 10th studio album on 4th September. The 11-track album follows the huge critical success of 2012's 'This is PiL', the band's first album in 17 years. Commenting on the new album, John Lydon says, ''Buy now while stocks last.''  Widely regarded as one of the most innovative and influential bands of all time, PiL's music and vision earned them 5 UK Top 20 singles and 5 UK Top 20 albums. With a shifting line-up and unique sound, John Lydon guided the band from their debut album 'First Issue' in 1978 through to 1992's 'That What Is Not'. After a 17 year hiatus, Lydon reactivated PiL in 2009. Last year the band returned to Steve Winwood's Wincraft studio in the Cotswolds to record this new album. 'What The World Needs Now…' precedes the start of their 23-date UK/Europe tour, which kicks off in Glasgow on 18th September. The European tour will be followed by North America dates.)
18. SAUNA YOUTH-“DISTRACTIONS” (9/4) (Consisting of Richard "Boon" Phoenix (drums, vocals), Lindsay Corstorphine (guitar), Jen "Ecke" Calleja (vocals, sampler), and Christopher Murphy (bass), Sauna Youth are a punk band that's happy to embrace all of the contradictions that go along with that notion. They are at times furious, unstoppable, and severe, with the sampler wailing like an alarm coming from a parallel universe; then chugging, poppy, harmonious, and fun. Forever loud. As Kurt Cobain once asked, "Why can't we be both Black Sabbath and The Beatles?" Sauna Youth consistently pose the question, "Why can't we be both the Ramones and Steve Reich?" They recorded Distractions over a couple of days in July 2014 at Sound Savers in Homerton with Mark Jasper, mixed it themselves, and had it mastered by Kris Lapke. It's an album that feels instinctive and natural, flowing freely from a band that has come to terms with the sum of its parts. Ultimately, though, Sauna Youth have made a colossal record that is impossible not to dance to. "Transmitters" races off with its guitars pulsing and chopping before the chorus crashes in like a wave. Ecke and Boon sing in unison, creating a voice of no specific gender and allowing the songs to be sung from multiple perspectives and from a place of shared experience. On "Cosmos Seeker," the drums pin the jabbing guitar chords and vocals in place, surrounded by a propulsive swarm of sound. Distractions also includes two poems put to music: "(Taking a) Walk," by Ecke, is a rumination on the body, specifically female, in public spaces; "Paul," by Boon, explores individuality and authentic performance. In addition to performing as Sauna Youth, all four members, in swapped roles, also make up the band Monotony, which they formed while writing Distractions in 2014. Later in 2014, they did two sessions over two days as both bands for Marc Riley on BBC 6 Music, and performed as both bands at DRILL Festival: Brighton, after being invited by Wire. Members of Sauna Youth also play in Tense Men, Primitive Parts, Feature, and Cold Pumas. They've previously played with Pissed Jeans, Thee Oh Sees, Ty Segall, and Protomartyr; toured with Ceremony and Cold Pumas; and played at both the Liverpool International Festival of Psychedelia and Oslo Psych Fest.)
19. SHANNON AND THE CLAMS-“GONE BY THE DAWN” (9/11) 
20. SPC ECO-“SMILE” [EP] (9/11) 
21. STEREOPHONICS-“KEEP THE VILLAGE ALIVE” [2-CD DELUXE EDITION] (9/11) 
22. SUEDE-“DOG MAN STAR” [2-CD 20TH ANNIVERSARY EDITION LIVE AT ROYAL ALBERT HALL] (9/4) 

23. THE VIEW-“ROPEWALK” [EP] (9/11) 

Thursday, September 10, 2015

NEW RELEASES 2015 WEEK # 35 SEPTEMBER 4, 2015

SEPTEMBER 4, 2015 (WEEK #35)
1.    A-HA-“CAST IN STEEL” [DELUXE EDITION 2-CD] (9/4)
2.    LOU BARLOW-“BRACE THE WAVE” (9/4) (“I recorded ‘brace the wave’ in about 6 days with Justin Pizzoferrato at Sonelab studios in Easthampton Massachusetts ( I have recently moved back to the area after 17 years in LA ). Justin was the engineer for the 3 Dinosaur Jr ‘reunion’ LP’s , “beyond”, “farm” and “I bet on sky” . My ease with Justin meant I approached the sessions with a focus and confidence I don’t usually feel. Songs like “redeemed” , “wave’ and “moving’ reprise my early methods of tuning my ukelele down low and writing the song in the moment , during the recording process. Others like “lazy” and “c+e” are live recordings of traditional-style folk songs , some which I began writing nearly 20 years ago. The lyrics encapsulate yet another transitional period in my life . I still don’t feel I have a choice but to puzzle over difficult times in my songs. I kept this album short anticipating the listener fatigue associated with a musician who’s been around for 25+ years. As a music obsessive myself, I understand. I like new things too. But here it is, ‘Lou’s Anxiety Song’ versions 740 through 749: ‘brace the wave’ . Thanks for listening.” - Lou Barlow)
3.    DAN BERN-“HOODY” (9/4)
4.    BOY-“WE WERE HERE” (9/4) 
5.    ANE BRUN-“WHEN I’M FREE” [IMPORT] (9/4)
6.    JOEY CAPE-“STITCH PUPPY” (9/4)
7.    COLD BEAT-“INTO THE AIR” (9/4) 
8.    LLOYD COLE-“1D ELECTRONCIS 2012-2014” (9/4) 
9.    CRIPPLED BLACK PHOENIX-“OH’ECH-OES (WITH SE DELAN)” (9/4) 
10. FIDLAR-“TOO” (9/4)
11. HELENA HAUFF-“DISCRETE DESIRES” (9/4) 
12. HOLY SONS-“FALL OF MAN” (9/4)
13. TOMMY KEENE-“LAUGH IN THE DARK” (9/4)
14. JAMES LEG-“BELOW THE BELT” (9/4)
15. MAGIC CASTLES-“STARFLOWER” (9/4)
16. NATURAL SNOW BUILDINGS-“TERRO’S HORNS” (9/4)
17. PAINTED PALMS-“HORIZONS” (9/4) 
18. PANDA BEAR-“CROSSWORDS” [EP] (9/4) 
19. PUBLIC IMAGE LTD-“WHAT THE WORLD NEEDS NOW…” (9/4)
20. THE RADIO DEPT-“OCCUPIED” [EP] (9/4) 
21. JOAN SHELLEY-“OVER AND EVEN” (9/4) (Joan Shelly's new album, Over And Even, was written in the back of an abandoned beauty parlor on the island of Thessaloniki. The whole thing had something to do with Vashti Bunyan. That's what Joan told me, but Joan Shelley is a poet, so she makes things up. In a small, dark room that smells of expired hair-do chemicals, there is talk of hypnosis. All the windows are blacked out. "Look into my eyes." White walls are blinding in the ancient sunlight. A bowl of oranges shines like solid gold, waiting for you. There is a small classical guitar, a sunburn, and a key that turns a lock, and songs come pouring out. Maybe the Greek deal was really about Leonard Cohen. That's Joanie's jam: songs wide open enough to let the wind blow the curtains around, and solid enough to hang a ton of heartache on. She writes smart, beautiful songs full of poetry, history, mystery and nature. Like all the best sad songs, they will make you cry. Then they will drag you outside and leave you flat on your back, staring up at the stars. Joan lands on a note like a laser beam on a diamond. Colors fly around the room, and her voice bends between them. People say her voice reminds them of Sandy Denny. It's more than the vocal range. It's a quiet power that draws you in. Maybe Over And Even wasn't written last winter on a Greek island. Maybe these songs were written a hundred years ago in a farmhouse somewhere in Kentucky. That's where Joan is from, and that's where she and guitar player Nathan Salsburg recorded all the basic tracks live. All the people who played on Joan's new record -- and Daniel Martin Moore who recorded and engineered it -- are friends. That comes through somehow in the sound of the album. Will Oldham and Glen Dettinger are genius harmony singers. They leave the perfect amount of space for microscopic shifts in Joan's voice, without sacrificing their own awesome idiosyncrasies. Nathan Salsburg's guitar follows every twist of the melody. When the song breaks your heart in two, Nathan is there with a high E-string to sew it back together. Joan Shelley's voice flows out like a river. It never travels in a straight line. It follows bends and curves carved by history. We are all lucky just to be swept away, and go with her wherever she's going. "But it's not over by half There's a gold in your eyes blooming out through the black And you're still standing, your hand on the map No its not over, not over by half" the end.)
22. SHIT & SHINE-“EVERYBODY’S A FUCKIN EXPERT” (9/4) (The ascent of Shit and Shine is one of the great audio headfucks in memory, from its genesis out of the South London noise rock revivalist scene to a zone where rabbit-costumed maniacs bled a unique form of multi-drum and electronic hysteria to its incarnation of destroyed lysergic dance music. Shit and Shine is the epitome of second-guess-subversion. With a foot in every pie, it continues on a fantastic, twisted path. Everybody's a Fuckin Expert lays forth another slab of inverted tranquility in which general disruption is kept in check by the subversive charm unique to the outfit. Gunfire rhythms lay waste to androgynous sonics on "Ass"; deep sea disorientation allows pools of plasticine audio to rise on "Rastplatz"; "Picnic Table" rinses electro out of thick, gelatinous cybernetics. Everybody's a Fuckin Expert takes a smorgasbord of sounds and styles and contorts them into a bright hope in twisted theater, disorientating dance, and hefty hedonism. Both the faint- and strong-hearted allowed permanent entry to this club.)
23. THIGHPAULSANDRA-“GOLDEN COMMUNION” (9/4) (Thighpaulsandra presents his seventh full-length album and his first since 2006's The Lepore Extrusion. Well over a decade in the making, The Golden Communion is his debut for Editions Mego. It comprises ten songs and runs well over two hours, with individual pieces clocking in between four and 28 minutes. Featured musicians on the album include regular collaborators Martin Schellard and Siôn Orgon, plus the odd guest/ghost from bands with which Thighpaulsandra has worked in the past. Listeners who have heard any of Thighpaulsandra's previous albums will know that it's best to approach this work with no fixed set of expectations; once again, Thighpaulsandra changes genres and defies easy classification, sometimes more than once within one song. Drawing on his long-time background as a key member in such diverse groups as Coil, Spiritualized, and Julian Cope's band (in each case arguably at the height of the group's creative prowess) and his work as producer and sound engineer for an even larger variety of customers, he offers classical passages next to hard rock riffing; krauty experimental work-outs turning into super-catchy, almost radio-friendly songs; and more. Many adjectives have been used to describe Thighpaulsandra's work -- "epic," "challenging," "timeless," "idiosyncratic" -- but certainly never "predictable" or "boring." Possibly his most rewarding album yet and a welcome and unusual entry in the Mego catalog, The Golden Communion will entertain and astonish listeners who are fond of having their minds severely altered by sound.)
24. UNCLE ACID & THE DEADBEATS-“NIGHT CREEPER” (9/4)
25. WIDOWSPEAK-“ALL YOURS” (9/4)
26. WOOLEN MEN-“TEMPORARY MONUMENT” (9/4) ("Woodsist is proud to present the sophomore full-length album from Woolen Men. Following a handful of singles, EPs and cassette releases "Temporary Monument" is an album dedicated to the changing landscape of their beloved hometown Portland Oregon. Heavily influenced by the Pacific Northwest punk and DIY heroes Dead Moon and the Wipers, Woolen Men are definitely keeping the spirit alive.")

27. WUSSY-“PUBLIC DOMAIN VOL. 1” [EP] (9/4)