Saturday, May 17, 2014

2014 NEW RELEASES WEEK #20 MAY 13, 2014

MAY 13, 2014 (WEEK # 20)
1.    AMEN DUNES-“LOVE” (5/13) 
2.    TORI AMOS-“UNREPENTANT GERALDINES” (DELUXE EDITION CD/DVD) (5/13) 
3.    THE APACHE RELAY-“THE APACHE RELAY” (5/13)
4.    JOSEPH ARTHUR-“LOU” (5/13) 
5.    THE BLACK KEYS-“TURN BLUE” (5/13) 
6.    ARCHIE BRONSON OUTFIT-“WILD CRUSH” (5/13)
7.    CHEAP GIRLS-“FAMOUS GRAVES” (5/13)
8.    COH-“TO BEAT” (5/13)
9.    MAYA JANE COLES-“FABRIC 75” (5/13)
10. DOUGLAS DARE-“WHELM” (5/13) 
11. DARK MATTER-“DARK MATTER” (5/13) 
12. KRIS DELMHORST-“BLOOD TEST” (5/13)
13. DJANGO DJANGO-“LATE NIGHT TALES” (5/13)
14. RADNEY FOSTER-“EVERYTHING I SHOULD HAVE SAID” (5/13)
15. FRONT LINE ASSEMBLY-“ECHOES” (REMIX ALBUM) (5/13)
16. GERONIMO!-“CHEAP TRICK” (5/13)
17. DAWN GOLDEN-“STILL LIFE” (5/13)
18. GUIDED BY VOICES-“COOL PLANET” (5/13) 
19. COLLIN HERRING-“SOME KNIVES” (5/13) 
20. HISS TRACTS-“SHORTWAVE NIGHTS” (5/13) (Shortwave Nights is the debut album by Hiss Tracts, a new duo featuring David Bryant (Godspeed You! Black Emperor, Set Fire To Flames) and Kevin Doria (Growing, Total Life). The sonic preoccupations of Bryant and Doria are well-documented across many highly acclaimed recordings over the past fifteen years, from the organic, group-based, semi-improvised collage albums of Set Fire To Flames to the glimmering, immersive minimalism of Growing and the more maximalist full-spectrum noise works of Total Life.)
21. THE HOWLIN’ BROTHERS-“TROUBLE” (5/13)
22. HUNTERCHILD-“HUNTERCHILD” (5/13)
23. KING DUDE-“FEAR” (5/13)
24. KREIDLER-“ABC” (5/13) (2014 marks twenty years of Kreidler. The band has outgrown adolescence, but remains juvenile, reckless, impetuous. They recorded their new album ABC in Tbilisi, Georgia. And there will also be a film by Heinz Emigholz, who accompanied the last album Den with film clips. Six tracks characterized by elliptical shifts, where suddenly the bass and drums take over the helm -- or a choir appears. Kreidler worked together with Georgian singers: either hovering freely in the meditative pop piece "Ceramic," or defining a new space within a space, as in "Nino." Nino perhaps most clearly suggests that the album was recorded in Tbilisi, Europe's southeasternmost metropolis, on the former Silk Road at the intersection of East and West. "Nino" opens the album -- a piece made for setting off in a convertible with the top down, moving at the steady pace through the speed-limited traffic zones with the speakers pumping. A female voice takes over for "Alphabet" and the mood rises. It rocks as only Kreidler can rock. Then a short pause with "Destino," which displays a melancholy longing that leads to abstract no wave funk. "Modul" is similar to Nino, yet even more relentless. "Tornado" concludes ABC. A scruffy smoothness unifies the tracks, which rely less on layers or the shifting of variable patterns, and more on riffs. Yes, riffs. But not hashed-out on guitar or bass -- Alex Paulick is more the sequencer, the lead sound, or the cloud. It is the synthesizers of Andreas Reihse and Detlef Weinrich that provide the definitive propulsion. And wasn't it the case with Den that Kreidler even considered making a record without drums? What a peculiar endeavor. Once again, Thomas Klein's distinctive playing was destined to press the songs further forward, onward, ahead. As always with Kreidler, ABC is about the exploration of freedoms within a previously determined framework. It is a formulation of convergences, of possibilities within a procedural movement, based on a notion of democracy, with socialism in mind, where one understands that restraint is not merely a strategy of a conceptually inclined band, but that it serves to strengthen the validity, precision and majestic authority of expression. The cover uses photographic works by Thea Djordjadze. The Georgian artist usually works directly within a space, combining sculpture, painting and found objects into ensembles. Many of her photographic works are comparable, arranging diverse elements in a black (or white) box. Her works reflect art and cultural history, refer to Georgian folk art, or even Soviet modernity.)
25. LA SERA-“HOUR OF THE DAWN” (5/13)
26. LANTLOS-“MELTING SUN” (5/13)
27. LITTLE DRAGON-“NABUMA RUBBERBAND” (5/13) 
28. KIRSTY MACCOLL-“ALL I EVER WANTED – THE ANTHOLOGY” (2-CD COLLECTION) (5/13)
29. MIMICKING BIRDS-“EONS” (5/13) 
30. MIRAH-“CHANGING LIGHT” (5/13)
31. MORRISSEY-“WORLD PEACE IS NONE OF YOUR BUSINESS” (SINGLE) (5/14)
32. MYSTIC BRAVES-“DESERT ISLAND” (4/29) 
33. THE PAINS OF BEING PURE AT HEART-“DAYS OF ABANDON” (5/13) 
34. PATRICK PARK-“LOVE LIKE SWORDS” (5/13)
35. THE JEFFREY LEE PIERCE SESSIONS PROJECT-“AXELS & SOCKETS” (5/13) (The Jeffrey Lee Pierce Sessions Project, which sees the late Gun Club singers' friends, former band members and fans paying tribute to his extraordinary genius, is releasing its third and penultimate outing. Axels and Sockets features many names from the first two volumes, including Nick Cave, Debbie Harry, Mark Lanegan, Lydia Lunch, Warren Ellis, Mick Harvey and Kid Congo Powers, along with new additions to the collaborative fold in the form of Iggy Pop, Mark Stewart, Thurston Moore, Jim Sclavunos, Primal Scream and Andrew Weatherall. Co-ordinated by Pierce's later musical partner Cypress Grove, the Project again strives to pay homage by avoiding the clichés of the conventional tribute record, creating fierce, iconoclastic new music out of song-sketches, demo recordings, scribbled lyrics and leftover riffs Jeffrey tragically didn't live to complete, while some put their own spin on personal favorites from his esteemed catalog. Axels and Sockets casts the Project's net wider than ever, kicking off with Iggy Pop making his debut appearance dueting with Nick Cave on "Nobody's City" before Debbie Harry invokes the early punk-pop Blondie sound with the Amber Lights (Mick Harvey and JP Shilo) on "Kisses for My President," which Jeffrey wrote about her before she knew he existed (He was president of the Blondie fan club). Cave also completes his trilogy of duets with Debbie on "Into the Fire." Returning too are Mark Lanegan, along with Bertrand Cantat, Crippled Black Phoenix, Gallon Drunk's James Johnston and Cypress Grove. Also making their debut are Mark Stewart and Thurston Moore (their take on "Shame and Pain" marking the first time Jeffrey's vocals have appeared on the set), Primal Scream, whose version of "Goodbye Johnny" is remixed into smoky hoodoo noir by Andrew Weatherall, KatieJane Garside and Andrea Schroeder. The set also introduces younger bands with Leeds' Black Moth, who are produced by Bad Seeds drummer and project co-coordinator Jim Sclavunos and Cornwall's Honey, helmed by Jeffrey's old partner-in-crime Kris Needs. With only Volume 4's grand finale to come, the Jeffrey Lee Pierce Sessions Project continues to loom as a towering statement in preserving and immortalizing his fearsome legacy.)
36. PROSTITUTES-“PETIT COCHON” (5/13)
37. GRUFF RHYS-“AMERICAN INTERIOR” (5/13)
38. SEAN NICOLAS SAVAGE-“BERMUDA WATERFALL” (5/13)
39. THE SOUND-“JEOPARDY”, “FROM THE LION’S MOUTH”, “ALL FALL DOWN”…PLUS EPs, SINGLES, BBC TRACKS, BOOKLET AND REMASTERING 4-CD BOX SET 
40. STRATEGY-“BOXOLOGY” (5/13)
41. SWANS-“TO BE KIND” (2-CD) (5/13)
42. SYD ARTHUR-“SOUND MIRROR” (5/13)
43. SYLVAN ESSO-“SYLVAN ESSO” (5/14) (Sylvan Esso is a collaboration between vocalist Amelia Meath and electronic musician Nick Sanborn. Meath's powerful voice is front and center, unjoined by fellow harmonizers as it is in her folk group, Mountain Man. Sanborn, who plays bass in the genre-destroying Megafaun, creates intricate, pulsing grooves for Meath's voice to inhabit. Their self-titled debut a collection of vivid addictions concerning suffering and love, darkness and deliverance arrives as a necessary pop balm, an album stuffed with songs that don't suffer the longstanding complications of that term.)
44. PRINS THOMAS-“PRINS THOMAS 3” (5/13)
45. TOBACCO-“ULTIMA II MASSAGE” (5/13)
46. WALLS & ORAM-“SOUND HOUSES” (5/13)
47. WOVENHAND-“REFRACTORY OBDURATE” (5/13)
48. WUSSY-“ATTICA!” (5/13) (Attica! is the 5th album from Cincinnati's Wussy, and the first to be released jointly in the US and UK. These 11 new tracks were recorded with old Afghan Whigs pal John Curley at Cincinnati's legendary Ultrasuede Studios. John Erhardt rejoins forces with former Ass Ponys bandmate Chuck Cleaver as the band's fifth member on some Dark-Side-inspired pedal steel, adding a further psychedelic element to Wussy's ever-developing swirl of noise. Attica! is the band's loudest and quietest record to date, finding Cleaver and co-leader Lisa Walker at their lyrical best and Wussy as a whole at their weirdest and finest. About Wussy: Fronted by former Ass Pony Chuck Cleaver and the previously unaffiliated and brilliant Lisa Walker, Cincinnati's Wussy is a rock band that'll remind you on the deepest level why you love rock bands. The central conceit: Submerging pristine, literate songwriting in the rumble and roar of a full band. The secret weapon: A chemistry so rare, powerful, and under-recognized it inspired Robert Christgau--America's tersest rock critic--to publish a 2,000-word love letter to ''the best band in America.'' (David Schmader, The Stranger)

49. YOUNG WIDOWS-“EASY PAIN” (5/13)

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