OCTOBER 29, 2013
(WEEK #44)
1.
ARCADE
FIRE-“REFLEKTOR” (2-CD) (10/29)
2.
AUTECHRE-“L-EVENT”
[EP] (10/28)
3.
DANIEL
AVERY-“DRONE LOGIC” (10/29)
4.
BANABILA & MACHINEFABRIEK-“TRAVELOG”
(10/29) (When Michel Banabila and Rutger Zuydervelt (Machinefabriek) finished
their first collaborative album, it felt like they were just getting started.
Surprised by how fluent and natural their collaboration went, it was obvious
that this wasn't over yet. Banabila & Machinefabriek was quite an abstract
affair. It's successor, Travelog, is lighter, more playful, and rhythmic. Some
moments recall the mighty Tape, while others showcase motorik Krautrock
influences and subtle hints of African rhythms. All in all, this album clearly
radiates the joy of its creative process and sees Banabila and Machinefabriek
on top of their game. I am a big Machinefabriek fan!)
5.
MACHINEFABRIEK & SANJA HARRIS-“MACHINE
ROOMS” (10/29)
6.
MACHINEFABRIEK & MINUS PILOTS-“SIGNALS”
(10/29)
7.
BARDO POND-“PEACE ON VENUS” (10/29)
8.
BLUE RODEO-“IN OUR NATURE” (10/29)
(IMPORT)
9.
BOY
& BEAR-“HARLEQUIN DREAM” (10/29)
10. THE
CHILLS-“SOMEWHERE BEAUTIFUL” (10/29)
11. CIRCUS
DEVILS-“MY MIND HAS SEEN THE WHITE TRICK” (10/29) (2013
release, one of two albums released simultaneously by this band founded by
Robert Pollard and completed by the Tobias brothers Todd and Tim. The trio
continues to stretch their musical muscles on My Mind Has Seen the White Trick,
a set of thematically unrelated pieces that at times ventures into jazzier
territory. The terrain remains darkly mysterious, as always, with multiple
layers to explore and reward the listener on repeated plays. Unlike the trio's
albums of the past, the music was written to match the vocal melodies, instead
of the other way around. It may be the birth of a new Circus Devils.)
12. CIRCUS
DEVILS-“WHEN MACHINES ATTACK” (10/29) (2013 release,
one of two albums released simultaneously by this band founded by Robert
Pollard and completed by the Tobias brothers Todd and Tim. On When Machines
Attack, the trio delivers a collection of eighteen sonic postcards from a
probable future forecasting civilization's approaching doom and the
opportunities to cash in. The cast of improbable characters on display includes
the Controller who introduces the album, along with Johnny Dart, Bad Earthman,
Doberman Wasp, The Brain of the Iron Fist, and more. A satisfyingly unsettling
listen from top to bottom (or perhaps unsettlingly satisfying?), it's perfect
for late-night car trips - driving alone, of course. Keep watching the skies!)
13. DEETRON-“MUSIC
OVER MATTER” (10/29)
14. THE
DEVIL MAKES THREE-“I’M A STRANGER HERE” (10/29)
15. KEVIN DEVINE-“BULLDOZER”
(10/29)
16. KEVIN
DEVINE & THE GODDAMN BAND-“BUBBLEGUM” (10/15)
17. DRIVIN’
‘N’ CRYIN’-“SONGS FOR THE TURNTABLE” [EP #4] (10/29)
18. CHRIS
FORSYTH-“SOLAR MOTEL” (10/29)
19. FUTURE
OF THE LEFT-“HOW TO STOP YOUR BRAIN IN AN ACCIDENT” (10/20)
20. THE
GRAND OPENING-“DON’T LOOK BACK INTO THE DARKNESS” (10/29) (The one-man project The Grand Opening by the Stockholm
multi-instrumentalist John Roger Olsson proves impressively on his fourth album
that he is rightly counted among the finest representatives of beautiful and
melancholy music. Being mentioned directly alongside American Music Club, Talk
Talk, Red House Painters and The Blue Nile -- as happens in the British music press
-- is certainly flattering. And these references are indeed helpful to give a
rough impression. But their resemblance to The Grand Opening is mainly to do
with the mood created by the music.)
21. LAUREL HALO-“CHANCE OF RAIN”
(10/29)
22. KAITO-“UNTIL
THE END OF TIME” (10/29)
23. KID
606-“HAPPINESS” (10/29)
24. BRAD
LANER-“NEAREST SUNS” (10/29)
25. LILY
AND MADELEINE-“LILY AND MADELEINE” (10/29)
26. MINOR
ALPS-“GET THERE” (10/29) (JULIANA HATFIELD & NADA SURF)
27. MOONFACE-“JULIA
WITH BLUE JEANS ON” (10/29)
28. THE
NECKS-“OPEN” (10/29)
29. PHASE-“FRAMES
OF REFERENCE” (10/29) (Frames of Reference is the some-12-years in the making debut album
from UK-based techno producer Ø [Phase]. Best-known by his work on the
Belgium-based Token Records, his style ranges from gritty minimal techno to
Detroit-influenced material. His debut Module Overload was released on London's
Lost/Cosmic records in 2000 and was followed by a string of productions for
London's Surface/Inceptive Records and Ben Sims' Ingoma imprint. The move to Token
came in 2007, and he shortly after began DJing professionally and has since
performed at parties across the globe while becoming a regular guest at
Berlin's techno Mecca, Berghain, performing alongside esteemed peers and
supporters such as Marcel Dettmann, Len Faki, and Ben Klock. His continued
works have seen constant support throughout the techno world and have featured
in CD mixes by Dave Clarke, François Kevorkian, and Fumiya Tanaka, amongst
others. Alongside his production work, Ø [Phase] is also a mastering engineer
and on/off artwork designer. Starting out at London's prestigious Sony
Music/Whitfield Street Studios, he has cut records for numerous underground
dance acts as well as working on projects for mainstream artists. Now after a
string of acclaimed releases on Token and a selection of remixes for the likes
of Robert Hood, Mark Broom and Peter Van Hoesen comes Ø [Phase]'s debut album.
Opening with the brooding and building swirl of "Binary Opposition
(Process 3)," Ø [Phase] sets out his template of evolving, richly-textured
atmospheres underpinned by shards of dark and light. "The Bwiti
Initiate" revolves around a bouncing techno rhythm that could most
certainly traverse the house/techno divide, while "Distracted" and "Misaligned"
are the kind of unadulterated, pummeling, cavernous techno tracks that have
made Lost such a party institution. Then we have tracks like the soft-beating
"Just Another Dance," providing a lighter edge, embellished with
warmth and strings and the thick, densely-woven tapestry of "Shadow
Caster," which goes from experimental to dancefloor and back again with
consummate ease. The off-kilter lilt of "Perplexed" drags us further
into the dark before keys and a hint of a melody draw us back upwards for air
while the fat, driving bass of "Dirtro II" and funkier-edged menace
of "On the Edge" show a virtuoso producer at the top of his game. The
closing introspection of "Self Deceit" wallows in subtle nuances
before a mid-section synth and string intervention pulls us back from the brink
before finally descending into the void.)
30. ROBINN-“MULTIPHONIA”
(10/29) (Compost presents the exciting debut album from Robinn, a native
Frenchmen now based in London. Multiphonia delivers a bass-heavy sound that
sits somewhere between Four Tet, Bonobo, Mount Kimbie, post-dubstep, and
electronic reggae. Featuring the vocals of Nathaniel Pearn aka Natural Self.)
31. RUSSIAN CIRCLES-“MEMORIAL”
(10/29)
32. ULRICH
SCHNAUSS & MARK PETERS-“TOMORROW IS ANOTHER DAY” (10/29) (Electronic duo Ulrich Schnauss and Mark Peters (of the band Engineers)
return with a second collaborative album titled Tomorrow Is Another Day,
released by Bureau B. This second project offers a sublime exploration into
their signature expressionistic landscapes while exploring the potential of a
collaborative model in which Schnauss' keyboards and Peters' guitar work
together in juxtaposition.)
33. SONGDOG-“LAST ORDERS AT
HARRY’S BAR” (10/7)
34. THE
SOUNDS-“WEEKEND” (10/29)
35. JOEY
SWEENEY-“LONG HAIR” (10/29) (FORMERLY OF THE TROUBLE WITH SWEENEY)
36. JOHN
TALABOT-“DJ-KICKS” (10/29)
37. MARIA
TAYLOR-“SOMETHING ABOUT KNOWING” (10/29)
38. TEETH
OF THE SEA-“MASTER” (10/29) (Master, the long-awaited and devastating third album from TEETH OF THE
SEA is an unprecedented junket into mind-melting abstraction and neon-drenched
revelation. Nearly three years have passed since the band released Your
Mercury, their transcendent second album, and the four-piece have kept very
busy during this period--they've gigged constantly, sharing stages with the
likes of Goat, Circle, British Sea Power, Trans Am, and Parts And Labor,
collaborating live with Wire and Esben & The Witch, and taking their
incendiary barrage to festivals like Roadburn, Green Man, Supersonic, Supernormal,
and Standon Calling. Yet the evolution of their third album was most
dramatically affected by two specially-commissioned soundtrack projects they
embarked on--at Branchage Film Festival in Jersey, the band performed
"Reaper," a new live score to a re-interpretation of Neil Marshall's
film Doomsday, and a year later, at Bestival on the Isle Of Wight, they
unveiled Beyond the Transfinite, a tribute to Kubrick's 2001. In this period,
the band's experimental instincts have continued to extend in a myriad
directions, and while Master nods to the established Teeth of the Sea
touchstones of Throbbing Gristle, Goblin, Heldon, Angelo Badalamenti, and
Slayer, recent work by the likes of Byetone, Pete Swanson, Raime, Powell and
Prurient, alongside a long-standing fixation on the disco stylings of Patrick
Cowley and Giorgio Moroder, have helped to mark out a gritty, confrontational
path whereby abrasive and sparkling electronic textures do battle with waves of
incandescent noise and a merciless beat-driven imperative to form a powerful
alchemical charge.)
39. THIS
WILL DESTROY YOU-“LIVE IN ICELAND” (10/29)
40. MIKA
VAINIO & JOACHIM NORDWALL-“MONSTRANCE” (10/29) (Mika Vainio
was a member of the legendary minimal electronic duo Pan Sonic. Emerging from
the Finnish industrial and rave music scene in the early '90s, they became one
of the most important electronic music acts. Vainio's solo work goes from
abstract drone to minimal and experimental techno, under his own name or as Ø
for labels like Touch, Raster Noton, Sähkö, and Editions Mego. He has worked
with Alan Vega, Keiji Haino, and many others. His music is always extremely
physical and present. Mika Vainio lives and works in Berlin. Joachim Nordwall
has run the iDEAL Recordings label since 1998, releasing intense electronic
music of various kinds and organizing club nights and festivals around the
globe. He started making electronic music as a teenager in the late '80s in the
psychedelic drone duo Alvars Orkester (Ash International), drifted off to
sweaty avant garde punk rock with Kid Commando in the late '90s and formed the
ritual rock and electronic drone group The Skull Defekts in 2005. He is also
recording solo works under his own name and works with Mats Gustafsson, The
Gagmen (with Aaron Dilloway and Nate Young), Mark Wastell, and The Sons Of God.
Nordwall is based in Stockholm. Monstrance is their first album together and
consists of drone works and pulsating electronic minimalism, but also guitar,
acoustic elements, organs, and metal percussion. It was recorded in
Einstürzende Neubauten's Berlin studio during an intense session in early
summer of 2010. Monstrance is a place where Vainio's and Nordwall's backgrounds
as musicians and composers meet, and something new and extremely powerful is
born. Something deep, raw, and direct. Mika Vainio (electric guitar,
processing, metallic percussion) and Joachim Nordwall (electronics, electric
bass guitar, metal objects, Hammond organ, vibraphone).
41. VATICAN
SHADOW-“REMEMBER YOUR BLACK DAY” (10/29) (Remember Your Black Day is the debut
album proper from VATICAN SHADOW, the first material conceived and produced as
a full-length by DOMINICK FERNOW
(COLD CAVE) for the project following almost a dozen tapes (mostly
released on Hospital Productions) and vinyl editions (released by the likes of
Blackest Ever Black, Modern Love, and Type) over the last three years. None of
the eight tracks included have been released before on any other format. At a
time when the scene is saturated with "noise techno," the album is
almost celebratory by contrast, balancing caustic licks of distortion and
oppressive bass with cleanly mixed synth tones and ricocheting claps in a
shell-shocked, surreal soundsphere. With production assistance from JUAN MENDEZ
(SILENT SERVANT), the album includes the most direct and propulsive Vatican
Shadow material yet, continuing an evolutionary shift away from the complex,
collage-based narrative of those cassette releases into more visibly direct
contact with the listener. There is a functional connection to dance music
here, honing in on the human element embedded within a subject matter so
fraught with inhumanity.)
42. WHITE DENIM-“CORSICANA
LEMONADE” (10/29)
43. WIDOWSPEAK-“THE
SWAMPS” (10/29)
44. VARIOUS ARTISTS-“LAURENT
GARNIER: FRENCH DRESSING MIX” (10/29)
45. VARIOUS ARTISTS-“LIVITY
SOUND” (2-CD LABEL COMPILATION FEATURING PEVERELIST, KOWTON & ASUSU) (10/29)
46. VARIOUS
ARTISTS-“SMM: OPIATE” (FROM GHOSTLY INTERNATIONAL RECORDS) (10/29) SMM:
Opiate is the second release in Ghostly's
SMM series, which is an ongoing exploration of the evocative possibilities of
sound, with a focus classical minimalism, electronic and drone composition,
film soundtracks, and fragile imaginary landscapes. Opiate is the
follow-up to 2011's SMM: Context, and as with that record, it's a
carefully chosen selection of music, compiled over some two years from around
the world.
